Above me and to the left is a Norwegian poster for Deathly Hallows asking HVEM DØR? but obviously me and my currently tragic haircut are more interesting.
OK SO.
This is a blogpost in list form, the third-best form for a blogpost.
WHAT IS HAPPENING IN MY LIFE:
--Running a lot.
--Working at Dillards to save up money to move to San
Francisco.
--Working on a book, because who isn’t.
--Oh man, it’s so much fun doing that, though. But not as much fun as this next one.
--Working on a comic with a friend.
--Found a place in SF.
--Living in limbo, I guess.
--At least SXSW is next week.
--Reading a lot of blogs of people whose writing ability I
am just experiencing a jealousy manifesting as physical pain over.
WHAT I DID YESTERDAY:
--Dismembered like one hundred mannequins.
--Almost beat a mannequin to death with her own arms because
I could not get the stupid arm magnets to connect who even designed those
mannequins I looked like the Dillards Juniors Department Serial Killer.
Bits strewn about like I was getting a made-for-tv movie based on me.
--More importantly: Saw Love Never Dies, the sequel to Phantom of the Opera by
Andrew Lloyd Webber.
Which featured the sexy Phantom/Christine thumb war.
(That's about how high stakes it was, honestly.)
(God I loved it.)
THOUGHTS/QUESTIONS THAT WERE BROUGHT UP WHILE WATCHING LOVE NEVER
DIES, MORE OR LESS IN ORDER:
--Did my eleven-year old self write this. No seriously.
--Are they singing a walk of shame song.
--Are Phantom and Christine the worst parents ever?
--It sure is nice Phantom has integrated into society so
well that he I guess stopped being a psychotic serial killer (albeit a very
sexy one) and is I guess the only viable romantic option?
--The many failings of this play raise some interesting
questions about the strengths and weakness of a proper Gothic romance and
Kantean aesthetics concerning the sublime (REDACTED BECAUSE SPOILER THEY ARE NOT INTERESTING QUESTIONS TO ANYONE BUT ME.)
--Holy crap I love freaky dark carnivals. I LOVE THEM THE MOST.
THE MOST.
--Seriously worst parents ever.
--DID THIS PLAY JUST TURN INTO LAW AND ORDER: PHANTOM OF THE
OPERA INTENT.
--How much of my life would I dedicate into getting Law and
Order: POTOI to happen? All of it,
probably. Obviously.
If I were more dedicated I would have posted Goren with a photoshopped phantom mask, but instead there's this.
This picture is the whole play summed up.
THINGS PHANTOM HAD IN HIS PERSONAL LIFE THAT I WAS QUITE
ENVIOUS OF OTHER THAN THE ABILITY TO LOOK GOOD IN A SUIT AND A COOL MASK:
--A creepy little goth son he did not even have to deal with
till the kid was old enough to watch himself
--A freaky cabaret carnival that he was the owner and
artistic director of.
--A dramatic room to swoop around in and write stuff, and
cry, I guess.
--Just like every member of the gender he was attracted to
violently attracted to him
--An awesome wardrobe.
DOES THIS SILLY POST HAVE A POINT:
Kind of.
WHAT IS IT THEN.
Utah was a bit of a warzone for me. Recently, on the same day, I found out
about two things: The Randy Bott
being a racist (and by logical extension of his imbecilic argument, misogynist) thing
going public—although I guess if I’m understanding correctly, that sort of
thing had been going on in his classes for years. That fact--and the fact that he went public--are being swept under the rug, as far as I can tell. (I'm not talking about the church here, they released a statement which was great. I'm talking about the public response of the religion faculty.)
This doesn’t surprise me, because that day I got the results
back on my complaint about my sexist expletive of a religion professor—the
investigator had talked to a bunch of his other students, and they found his
“unconventional personality” and “sarcasm” charming, so, they were closing the
complaint. (Because, as you know, if there are two things that I just cannot wrap my mind around, it's sarcasm and anything unconventional.) This is, I would argue,
the tip of the cliché iceberg for all sorts of institutionalized crap in a few
different institutions those guys were representing.
Seriously I was incandescent for an hour, there. (With rage, obv., which is my go-to
emotion. My little black dress of
emotion.) Like
white-hot-destructive-anger-of-the-Erinyes upset, which happens every so often.
This is due to some good reasons, but that doesn’t make it any more reasonable
or easy.
But then I realized it doesn’t (more or less) matter for me
any more. I never have to deal
with those people or institutions ever again. And it’s not giving up—it’s making a life for myself where
those things and people have no power.
Choose your battles, and all that.
UGH that’s getting cheesy. So but IN SHORT:
The new plan is to move to San Francisco and just love it
and somehow in the course of my life acquire and head up a
freaky-cabaret-burlesque and have a real live lair to write in and a bunch of
handsome genius gentlemen friends, and we can all swoon over each other. In costume.
Spiky spindly costume.
Anyway, that’s how I will
be measuring personal deep-inner-self-instantiating success from now on.
Why did I come to this conclusion while watching the worst/best musical ever? Because that's the kind of sophisticate I am.